Tiny living as a fallback plan rather than a choice

So I just saw this quick little interview with a woman who is car living with her family because they can’t afford a house/apartment. I think it’s interesting to look at the smaller living trend from this perspective.

One issue herein that I’ve already encountered in a discussion with a friend is how children fit into the tiny living philosophy. I don’t think this lifestyle is expressly for people subscribing to a child-free lifestyle. Jay Shafer has approached the issue by building a separate tiny house for his wife and child, while his original one remains his office/workspace.. but does that defeat the purpose? What is the right size tiny house for a child? 

Also, I feel like maybe the element of community is the biggest issue for car-dwellars in cases like this. The family is having to adapt to this new lifestyle, but they are also trying to keep it secret out of shame. If there were places where people living this lifestyle (by choice or not) could gather together, it might not be so bad.

I experienced a state park camp ground for the first time in probably 20 years recently. It was eye opening, I didn’t think people still recreationally camped, but the large campground was sold out! It was much as I’d imagine a car-dweller community would be – places to park, bath houses, and lots of people hanging out outside, often in groups. Children were a lot more free roaming and unattended, and everyone just seemed friendly. If something like this were put in the proximity of a city, or if a shuttle ran from the campground to the city, it seems like it would be pretty functional.

Just thinking… 

Music that matters (to me) – Waltham/Damone

There are ongoing themes in my listening habits; at the most fundamental, bands that I tend to revisit occasionally. Sometimes it’s more about the body of work of a specific musican or group of musicians. In this case, I wanted to post about a couple of bands that I keep coming back to, and the common denominator is guitarist Dave Pino.

I think my introduction to Pino was the band Damone, and specifically their album “From the Attic” which saw major label release on RCA in ’03. (a version of it had previously been self released as “This Summer” under the band name “Noelle”) I really wish I could remember how I found this album, but I’m totally drawing a blank. It was around the time that I was the operating station manager for the short lived Purdue Student Radio station which would be the sensible discovery avenue, but I’m pretty sure it wasn’t. I do know that the single “Frustrated Unnoticed” was the first song I heard, and it felt like a different production style than the rest of the record, but regardless, “From the Attic” was, and continues to be a very captivating album for me. The lyrics were all penned by Pino, supposedly as a means to get back a girl who had dumped him.  A band was formed around these songs when Pino encountered Noelle LeBlanc, then still in high school. On this album in particular, Noelle’s inexperienced yet honest vocal delivery is the perfect match for the adolescent-ish tales of lost love. This feature is something that I’ve struggled to explain to people who are used to well polished and professional singers. There’s just something real and personal about it.

Here’s a very early public access in-studio of the band complete with the oddball-ness of Pino rocking a doubleneck SG; apparently the norm for him while in this band:

It must have been around 2006 when I found out about the band, because I remember their second album surfacing. I had been telling people how cool Damone was, and they would go listen to the couple of early release tracks on myspace (sic) and tell me I was stupid because the band was terrible. The band had very much changed. Instead of the 80’s influenced pop-rocking featured on “From the Attic”, the new record, “Out Here All Night” was showing a lot more thrash metal influence, while keeping the power-pop choruses in place. Noelle’s performance was a lot more confident, no doubt built up from years of playing shows. It lost some of the charm though, I think. Another really obvious thing was the absence of Pino from the videos. He’s still credited for the album, but I question what level he was involved.. As I encountered more of his body of work, it seems like this material wasn’t as much “him”. The band released a third album in ’09, but to be honest, I haven’t even listened. I think I’m only in it for the first one. Apparently the band has folded, but Noelle continues with solo work as well as a band called The Organ Beats.

 

At some point I realized that Pino was really the mastermind behind the Damone record that I enjoyed so much, and I started digging to see what he was up to after leaving Damone. There were a few bits and pieces out there. Notably, this youtube video of his process in learning to throw a guitar around his body, a showmanship bit that had some popularity at the time. (I must admit I suffered some injuries attempting the same myself)

There were also a handful of really cool guitar lesson videos he had done, breaking down some of the more difficult parts of Damone songs. Here’s the only one I can find that’s still on youtube:

Perhaps the most relevant thing I found though was Pino’s previous band Waltham, (to those of us not from the east coast, it’s pronounced “Walth Am”) and this great little bio pic that someone made of them:

The whole angle is great. it’s kind of a slightly modernized take on 80’s stuff like Rick Springfield. It’s kind of gimmicky, but still good enough to enjoy. In my excitement about the band, I started telling friends, and oddly, a couple of people I knew were aware of these guys. My buddy John had been living out in Boston and recognized some of the guys in the band from their day jobs at Guitar Center. My friend Karen who had lived in Sommerville told me about the Pizza place that Dave’s father owned.

Showing a bit of a pattern, the band continued but Dave was gone. The 2003 release “Permission to Build” had all the same charming Pino features that Damone’s “From the Attic” did, but the follow up EPs were lack luster. Still the band made a major label run in ’05 with some touring through Germany. After a long hiatus, they put out another collection of songs through band camp in 2013 as “Wicked Waltham” but it seems like they only play new years eve events and the occasional charity show at this point. Still, they left behind some good music and some entertaining, albeit slightly hokey videos like this one:

Pino now seems to be a bit of a hired gun, playing with the band Powerman 5000 and Andrew W. K.

Let’s think about this for a sec – Tiny houses and zoning

Media coverage of developments in tiny homes usually focuses on how pretty you can make your little house, with lots of exterior shots of fancy colored homes. I think this trend has a tendency to keep us from looking at some of the bigger issues regarding small living that are getting glossed over.

If you’ve seen any of the interviews with Jay Shafer, then you know that one of his big issues is the legality of small living. Most folks that go this route put their house on wheels because it then qualifies as an RV, and escapes a lot of the scrutiny that a permanently placed home might. In the following video, the issue of zoning is raised. It’s definitely an interesting topic, and I think that maybe in the long run, it would do us more good to focus on these legalities more than the pretty designs that will continue to be presented to us.

After I started thinking about the topic, I really feel that _some_ regulation is a good thing. If the tiny house trend continues it’s popularity, we could have a large number of these showing up in surprising places, which could lead to problems. The video has one zoning official stating that she’s worried about “squatter camps” showing up, which I think is unlikely.. the reality though is that the definition of a squatter may vary from one person to another. I’m more worried about safety issues like fire hazards or black/grey water dumping.

The current popular thought on this issue seems to be circumventing zoning issues altogether by going with a “trailer park” model of property management, wherein a company owns a lot of private space and allows people to put their houses there for a fee. It’s not a bad idea, but I imagine it too could use a regulatory refresh before this style of living grows.

As an aside, I had no idea that Houston was so zoning free. It’s an interesting model and seems to have met reasonable success. Too bad it’s in Texas. ha!

Tiny house designed by a shipbuilder.

I’m going to try and start adding more frequent but shorter posts. Many are going to be videos I find, and such is the case with this one.

Here’s a video documenting an interesting tiny home in New Zealand designed by someone with ship building experience. I think the ship connection is interesting because boats with living area have similar or more rigid constraints as tiny houses. This particular house didn’t have much that was ground breaking, but there are a couple of notable differences from what I’ve seen in other small houses.

The first is that he skipped the gabled roof that has become popular if not requisite in tiny homes, which are probably the result of the popularity of Jay Shafer’s works. In this example, he ends up with a really tall house overall, which seems like it might be a pain to haul around, but the sleeping space sure seems a lot nicer.

Second, he’s running 12V electricity through the home. This allows him to not need a central power inverter, and also keeps him from having to deal with high voltage wiring. Interesting short cut, but I think I’d rather have 120V outlets, just the same.

On his 12V system, he’s also got a water pump for his plumbing. In all of the tiny house projects I’ve looked at, I’ve not noticed this before. Seems like most people use a gravity feed system, often based on a cistern. The pump makes sense when you consider that he has a 300l water storage inside the house. He used a “flexitank”, something from the boat world, and stashed it under the sofa. Pretty interesting, and I think it would provide some peace of mind if you’re living off grid for a while.

Finally, I thought his approach to the composting toilet was interesting. Since it’s just a bucket in a box, he didn’t build it into the house. Instead, it’s mobile, and can be slid under a cabinet or taken outside when not in use.

Van Life

I happened across some videos recently with a series title of “Van life”. This particular production seems to be a part of the marketing wing of a company called GoalZero, who make rechargeable battery packs and solar charging equipment for outdoors ..stuff. I was actually familiar with the brand because they have a store front on 3point5.com, a website that offers retail and outdoors industry professionals training and discounts on products in hopes that they will then promote the products to customers and other professionals. I end up buying a lot of stuff from that site.

The most interesting offering from GoalZero is their Yeti line, a 150-1250W solar powered battery pack, which you can see in the video below. I think these videos are a really great way of showing off the product. I think that when we consider a product like this, there are some simple connections that come to mind, such as being able to run your laptop while camping, but I think it is not as easy to visualize the lifestyle that such a product or tool enables. While this guy’s setup isn’t something someone in a house could probably immediately jump into, (ie: lack of a bathroom) it definitely gives a glimpse of a step that direction.

And another video from this series featuring a van that seems a little more livable.

As youtube is great at doing, it recommended me some other videos on related topics, including some from a couple running a website called where’s my office now. They have several videos documenting their van life. I think this series is really nice because this couple is in much the same situation as many of us considering smaller living. Emily does web design, and thus can work remotely, and also has a lot of student loan debt to deal with. In the below video, they breifly discuss the cost of van living. Check out their site for the other videos.

Cost of living in a van

In watching these videos and others, I came to realization that most of the people that are living the van life are making their living off of “the outdoors”. Many, as was the case with the second and third videos here, are professional photographers specializing in backcountry sports and nature shots, and/or athletes of some kind whether mountain bike racers or canoeing instructors. Deriving your livelihood from activities that take place in remote areas seems like a prime factor in living this lean. I mean, it’s largely just practical. I am curious though where the line is though. I think there is still a lot of benefit to mobile living even if you don’t have a specific reason to adopt that lifestyle. I think that – urban mobile living, is a picture that I would like to see painted in more detail.

I like ecclesiastical art

I really enjoy ecclesiastical art; mostly stained glass, but sometimes other mediums.  I’m not religious in the least, but I think the history behind such work really gets at the part of religion that I’m most interested in. Being able to physically trace back the history and morphology of a philosophy is a lot more interesting to me than trying to commune with God.

As I started looking for inspiration for a Saint Burritus T shirt design I’m working on, I happened across the ikonograffiti blog, and really liked it. Having dabbled breifly with spray paint and stencils, on the #trikelala T shirt,  this video was especially interesting.

I’ve been on something of a sabbatical for the last few months. Partially I just couldn’t stand to think about academia anymore, and partially I needed to take a time out to try to figure out who I am as a person at this point in my life. (Perhaps I’ll touch on this in a later post)

During this time of self directed listlessness, one of the things I’ve picked up on is how important music is in my life despite my self-imposed absence from participation in it the past several years. Part of this has involved catching some of my favorite bands of olden times who are now re-activated, like Braid, who I saw in Chicago recently in support of their new record and Failure who seem to be giving it another go. Additionally, I do a fair amount of reminiscing about Lafayette bands that I knew personally.

A week ago I was poking around youtube, and happened to find a pile of videos from Greasers Palace, a band that was active in the 2002-2005 ish timeframe. When I first met these guys, it was during the era of “Tazzma’s Rock ‘O Rama”, a sketchy venue in the spot on 6th street that has hosted Luckey’s, Mixerz, Downtown Records, The Venue, and most recently an installation gallery show by Purdue Visual and Performing Arts grad students. At the time, their music was a weird amalgam. There was a lot of Marilyn Manson influence; an element of shock showmanship, and offbeat instrumentation like theremin and Q Chord. At this point there was also a hint of John Mellencamp influence, which later became more prominent. The music was interesting, but a little chaotic. At the time, it was kind of a high point for me in terms of a happy, networked music scene, and these guys played a big role in that, I think. They were friendly with most of the other bands they encountered, and cool to me as well, so we became friends.

Here’s an audio recording of one of their sets at Tazzma’s around this time:

Over time their sound evolved, and more of the typical punk rock influences came in. The Mellencamp vibe came in more too. While it’s worth mentioning that Seth and Elijah, the two brothers in the band were from Southern Indiana, and the ‘Coug could be counted as a role model, I was never quite sure if the Mellencamp thing was tongue in cheek or serious. I think initially, I viewed it as a joke, but it caused me to go a little deeper into his catalog, and I eventually found myself taking him seriously. I guess it’s similar to the way people view Journey? Anyway, as a hoosier, I now have a pretty good appreciation for Mellencamp’s perspective even though I still laugh at him from time to time. A few selected hilarities:

“But you must believe that when I walk down the tracks
All those young girls fall back and say
There goes that sleek young silhouette
He don’t drive no Corvette
But he stings just like a Sting Ray”
Chestnut Street Revisited

“I’ve seen lots of things
But I have not seen a lot of other things”
You’ve Got to Stand For Something

At about this point I started helping them record. This was more an element of convenience for everyone than a business transaction. I think they’d recorded at a studio somewhere and didn’t like it or it was hard to schedule or something, and there also wasn’t a lot of money flowing around.. Plus, they had some decent equipment including a little BOSS recording workstation, I think it was a VS-890. I may be wrong, but I think my payment for recording them was getting to use the BOSS recorder to do a Jim-Jims album later which ended up being “Here it comes!“, probably my favorite album that I recorded. At the time, I think John Gordon had moved on to Boston, meaning the usual recording space that we had been living in was gone, but I think I still had some of the equipment around, so we set up in the living room of Casey, the drummer’s house that the band was practicing in.

I ran the session in what became my standard documentary style. We set up live, with amps semi isolated in different rooms, and the drums in the living room. Micing was all pretty basic. I don’t think I had anything fancy. I remember that there was a good balance on the two guitar tones. Their bass player had disappeared at some point prior, so they went with a two guitar/vox/drums arrangement that really worked for them. Elijah was using a bandmaster set to an almost muddy tone; lots of low end. he played mostly drop D barres, and the tone fit the style. I can’t remember what Seth was playing through.. Something a little more high gain with a slight harshness. Maybe the tubeworks or a marshall of some kind. I think we got everything live. Vox and guitar solos may have been overdubbed, but I don’t think so. I remember that the band was adamant that the vocals be low in the mix and they wanted a little distortion on them. I think I used a terrible ART TubeMP for that task. I didn’t realize it at the time, but Elijah didn’t have lyrics for all the songs and Seth didn’t have guitar leads/solos. In more recent listens, I’ve been able to catch some mumbling where the words weren’t done, and for one of the solos, I recommended that Seth just play the tapping part from AC/DCs thunderstruck; which he did, and I think it sounds ok.

I guess it’s all a little fuzzy at this point. I feel like I did two 4 song sessions with them, but I really only remember one. Maybe we recorded something at Tazzma’s during the day? I don’t know. Four of the songs ended up becoming the Tatonka EP – Brown Bottle Blues, Transmission, Straight Shooter and 9″ Chamber. A few more ended up being their “Going to Arizona” demo – Road to Damascus, Immortal Class, and Battle Flag. I really enjoy that I was around to see the evolution of what these guys were doing, and I’m also really glad to have known them. They were great friends. Once Seth and Elijah graduated, all of them moved to Arizona, and they continued on as a band for a while, but I think it petered out as everyone established adult lives. The last time I heard from any of them, Casey was still playing in a band, but that was admittedly many years ago.

Here are youtube videos for some of the songs I did with them: