There are ongoing themes in my listening habits; at the most fundamental, bands that I tend to revisit occasionally. Sometimes it’s more about the body of work of a specific musican or group of musicians. In this case, I wanted to post about a couple of bands that I keep coming back to, and the common denominator is guitarist Dave Pino.
I think my introduction to Pino was the band Damone, and specifically their album “From the Attic” which saw major label release on RCA in ’03. (a version of it had previously been self released as “This Summer” under the band name “Noelle”) I really wish I could remember how I found this album, but I’m totally drawing a blank. It was around the time that I was the operating station manager for the short lived Purdue Student Radio station which would be the sensible discovery avenue, but I’m pretty sure it wasn’t. I do know that the single “Frustrated Unnoticed” was the first song I heard, and it felt like a different production style than the rest of the record, but regardless, “From the Attic” was, and continues to be a very captivating album for me. The lyrics were all penned by Pino, supposedly as a means to get back a girl who had dumped him. A band was formed around these songs when Pino encountered Noelle LeBlanc, then still in high school. On this album in particular, Noelle’s inexperienced yet honest vocal delivery is the perfect match for the adolescent-ish tales of lost love. This feature is something that I’ve struggled to explain to people who are used to well polished and professional singers. There’s just something real and personal about it.
Here’s a very early public access in-studio of the band complete with the oddball-ness of Pino rocking a doubleneck SG; apparently the norm for him while in this band:
It must have been around 2006 when I found out about the band, because I remember their second album surfacing. I had been telling people how cool Damone was, and they would go listen to the couple of early release tracks on myspace (sic) and tell me I was stupid because the band was terrible. The band had very much changed. Instead of the 80’s influenced pop-rocking featured on “From the Attic”, the new record, “Out Here All Night” was showing a lot more thrash metal influence, while keeping the power-pop choruses in place. Noelle’s performance was a lot more confident, no doubt built up from years of playing shows. It lost some of the charm though, I think. Another really obvious thing was the absence of Pino from the videos. He’s still credited for the album, but I question what level he was involved.. As I encountered more of his body of work, it seems like this material wasn’t as much “him”. The band released a third album in ’09, but to be honest, I haven’t even listened. I think I’m only in it for the first one. Apparently the band has folded, but Noelle continues with solo work as well as a band called The Organ Beats.
At some point I realized that Pino was really the mastermind behind the Damone record that I enjoyed so much, and I started digging to see what he was up to after leaving Damone. There were a few bits and pieces out there. Notably, this youtube video of his process in learning to throw a guitar around his body, a showmanship bit that had some popularity at the time. (I must admit I suffered some injuries attempting the same myself)
There were also a handful of really cool guitar lesson videos he had done, breaking down some of the more difficult parts of Damone songs. Here’s the only one I can find that’s still on youtube:
Perhaps the most relevant thing I found though was Pino’s previous band Waltham, (to those of us not from the east coast, it’s pronounced “Walth Am”) and this great little bio pic that someone made of them:
The whole angle is great. it’s kind of a slightly modernized take on 80’s stuff like Rick Springfield. It’s kind of gimmicky, but still good enough to enjoy. In my excitement about the band, I started telling friends, and oddly, a couple of people I knew were aware of these guys. My buddy John had been living out in Boston and recognized some of the guys in the band from their day jobs at Guitar Center. My friend Karen who had lived in Sommerville told me about the Pizza place that Dave’s father owned.
Showing a bit of a pattern, the band continued but Dave was gone. The 2003 release “Permission to Build” had all the same charming Pino features that Damone’s “From the Attic” did, but the follow up EPs were lack luster. Still the band made a major label run in ’05 with some touring through Germany. After a long hiatus, they put out another collection of songs through band camp in 2013 as “Wicked Waltham” but it seems like they only play new years eve events and the occasional charity show at this point. Still, they left behind some good music and some entertaining, albeit slightly hokey videos like this one:
Pino now seems to be a bit of a hired gun, playing with the band Powerman 5000 and Andrew W. K.